Adam Mansbach books events bio music interviews other writing
genius
b-boy cynics getting weeded in the garden of delights Adam Mansbach's debut poetry collection, genius b-boy cynics getting weeded in the garden of delights, gives us a glimpse at what overused terms like "hip hop poetry" should, but seldom do, refer to. Hip hop is only occasionally the subject matter of Mansbach's poetry -- alongside topics like race, family, consumerism, academia, love, jazz, popular culture and religion -- but a hip hop sensibility infuses his work. He collages words and ideas like the best DJs, samples voices, rhythms and ideas with a skill and wit worthy of the RZA or DJ Premier, twists and invigorates and layers language with up-to-the-minute wit.And yet, Mansbach is more in the tradition of T.S. Eliot than he is in keeping with the contemporary poetry scene. His best pieces, like Eliot's, are long, winding narratives which shift from topic to topic, their structures revealing themselves cagily. Poems like "It's Your World Tour," "Black Marbles," and "Sticknmove" are searingly insightful, strikingly personal, and often hilarious attempts to grapple with the complexities of life. As with Eliot, the uninitiated may have to grab a reference book to properly understand all of Mansbach's allusions, but in this case the privileged insiders are more likely to be genius b-boy cynics than scholars. Mansbach's scope of reference is so wide, though -- as Michael Eric Dyson, author of Holler If You Hear Me: Searching for Tupac Shakur, has written, he is "equally comfortable with high cultural classicism and vernacular vibrations" -- that his work is challenging to almost any reader. In a single piece, it is not unusual for Mansbach to cite cultural markers as diverse as Phil Ochs, Eryka Badu, Wallace Stevens, George Wallace, Grand Wizard Theodore, Phase 2, Tennessee Williams, and Shaharazad Ali, to name just a few of those who crop up in the first few pages of the expansive "It's Your World Tour." In shorter pieces, Mansbach is often more pointed. In "Frontlines," he discusses the gradual process by which academics lose touch with reality: "late at night you gaze/at the titles on your university housing pinewood bookshelf/and beg james baldwin's forgiveness/because the fire this time stopped burning after two degrees/leavin you strong enough for a man/but ph.d balanced against outrage/like the scales of justice." In "Gotta Be," the tongue-in-cheek subject is his own obsession with Nikes, and in "Veen" he envisions a world in which "God plays time" like drummer Elvin Jones. "Knight in Shining Karma" explores fear and vulnerability in love relationships, drawing on kung fu movies and cold war terminology to do so, while "A Visit With My Brother David" is a poignant, straightforward narrative about a trip to prison. The only thing longer than the title of genius b-boy cynics getting weeded in the garden of delights is the talent of its author. Adam Mansbach's poetry is dense with music, with insight, and with honesty. His is that rarest of poetry collections: one destined to become dogeared.
still life moving adolescent barrio lotharios memorize & recite cinematic cadillac advice holdin summer night summits on other people's cars got romance down to a science like alchemy & more than happy to explain how to get to second base by feelin up the cleavage in the virgin/whore dichotomy girl lean over & unlock yo door hey don't unlock it ho everybody nods & then my man tris raises the bar on that foolishness like buss this if a chick doesn't think rakim is the illest mc ever then man i can't fuck with her on any serious level everybody nods i squint into my brew & try to strip the concrete off the streets imagining harlem when these hills were covered with trees & teemed with dinosaurs i smile around my straw replace papi's cornerstore with a triceratops & reflect that cats ain't got no less hardheaded since the mesozoic era on this block for evidence you can check my homey brett the projects' best defense against a t rex on the flex even the way he offers you a beer is like a threat dudes been known to jet rather than deal with him & yet you gotta give the cat respect the crazy spic-mick deck you in a sec blackbelt meathead lives in a world without regret now & forever the unofficial president of the neighborhood pride association meaning the only one old school enough to scrap for his block's reputation one of those dudes whose broma favorita's pissing right where people chillin instead of over on the wall cats pick theyselves up quick askin what the fuck's the matter with you as they scatter only response they ever get is laughter busybody blockparty mamis swoop offa stoops like pterodactyls if they smell a fight but nowadays not much jumps off to get them moving it's just cats sittin chillin bullshittin doin nothin empty cervezas frias jutting from the pavement like stalagtites a lack of activity partly due to the market's relative stability twelve years ago in the late shitisfuckedup period this block was hyperactive knee deep delirious in a crack economy oldtimers got war stories like iraqis but today a little bit of lley & lotsa weed is all you see next to the roti spot some muneca even opened a boutique it's always empty but then again so is papi's deli except for overripe platanos stale dutchies & brew the tv repair shop except for electronic junkheaps & four mujeres gordas playin poker in the backroom & the unisex salon except for three bored bellas watchin telenovelas & a clownmouthed pink lipstick wearin anciana from my building who stops in with her dog to talk only business on its feet appears to be the chinese takeout kitchen which in addition to flippin sweet n sour chicken & pork fried rice has now diversified in order to embrace a wide multicultural variety of shit you can fry let me tell you you ain eaten until you had platanos szechuan style straight out the wok with a little soy sauce don't think that shit won't hit you off cats go in there so much they know everybody's name address diet if he notice you ain orderin enough iron money throw some spinach in with your kung po shrimp no extra charge even got free delivery for when you too treed up to walk a half a street up so it's no wonder styrofoam combination plate containers greased with emptysqueezed packets of duck sauce blow across the sidewalks of the block as coolbreeze dances with the merengue jimmy's blastin on his box two a.m. & no callate silencio from viejos in windows no noise reports no cops plus when they do roll through they strangely cool all they say is quiet down or move it to the park i'm telling you rita got a fat ass pass the blunt damn it's still too goddamn hot wish mami'd sent me to summer camp like ramon man fuck that nasty coldass lake & fuck ramon tomorrow we gonna take a wrench to that fire hydrant & go swimmin citystyle |
Adam Mansbach books events bio music interviews other writing